Thursday, November 2, 2017

I Wrote Seven More Tunes In October

Mose Tolliver - "Blue Bird"
In June of this year I happened upon a Mose Tolliver painting at the Taubman Museum in Roanoke, VA. Mose Tolliver was an African-American farmer and laborer from rural Alabama who took up painting after a work-related accident crushed his legs and left him unable to walk without crutches. As an adult in his late 40's he became a prolific self-taught artist who would sometimes produce ten or more paintings a day on plywood or fiberboard using house paint. Simple, expressionistic birds, plants, turtles, fish, "Ladies on Scooters", and more were the subjects of his work, painted with an oddly limited palette. I was impressed by Mose T's art brut originality and his outsider status.

At the time of that museum visit I had just begun writing my own tunes and I wasn’t sure where I was going with it. Now, five months and 25+ tunes later, I’ve reached a critical mass where the act of playing/practicing music can now be the same as writing my own tunes and playing the music that I’ve written. Mose Tolliver didn't "cover" Picasso or van Gogh or try to re-interpret their paintings, he created his very own Mose Tolliver paintings.

I think it was Steve Earle who said something to the effect of “they can’t tell you you’re doing it wrong if you write it yourself”. In every situation except for a tune I’ve written myself, there is going to be a source recording (or multiple sources) that sets a standard that I can't live up to. But, what I've realized is that if I take Ornette Coleman's words to heart and make a sound that has no parents, then there is no version other than my version; no better sounding version to compare to my inferior take. The only way for this to be the case is to write the tune myself and consider it a unique piece.

This realization feels like an arrival, especially now that I've got these 25+ tunes under my belt. I thoroughly enjoy the act of creation, of bringing something into this world that didn't exist before. In this case it's melodies, and I don't have to worry about any of the things that tend to frustrate me about music. I just turn on the tap every day and see what's ready to come out.

OK, all that said here are the seven tunes I wrote in October.

Iguana Bridge


Skull Provider


Take It or Leave It Bloom


Common Carriage


Loco Motion


Vamla


Looks on the Ground


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